lookingatwalls:

“the blue danglies”easily one of the funnest pieces i’ve ever experienced at an art exhibit.
phenomenology wins every time. 

lookingatwalls:

“the blue danglies”

easily one of the funnest pieces i’ve ever experienced at an art exhibit.

phenomenology wins every time. 

maddieonthings:

Maddie visits the Flat Iron

maddieonthings:

Maddie visits the Flat Iron

I wasn’t in love with her. And she didn’t love me. For me the question of love was irrelevant. What I sought was the sense of being tossed about by some raging, savage force, in the midst of which lay something absolutely crucial. I had no idea what that was. But I wanted to thrust my hand right inside her body and touch it, whatever it was. Haruki Murakami, South of the Border, West of the Sun (via frenchtwist)
firsttimeuser:

Shomei Tomatsu. “Shipboard Elementary School (1), Fukagawa, Tokyo” from “Nippon Roots,” 1956
Courtesy of Tokyo Metropolitan Museum of Photography

firsttimeuser:

Shomei Tomatsu. “Shipboard Elementary School (1), Fukagawa, Tokyo” from “Nippon Roots,” 1956

Courtesy of Tokyo Metropolitan Museum of Photography

(via t-s-k-b)

regardintemporel:

Piotr Rosiński

regardintemporel:

Piotr Rosiński

Devant une flamme, dès qu’on rêve, ce que l’on perçoit n’est rien au regard de ce qu’on imagine. — Gaston Bachelard (via regardintemporel)
regardintemporel:

Sergiusz Sachno - Decentryzm 3, 2009

regardintemporel:

Sergiusz Sachno - Decentryzm 3, 2009

hypna:

Lake water photographs by Matthew Brandt

Los angeles-based artist Matthew Brandt has created several new photograph and printed works for two of his ongoing series ‘lakes and reservoirs’ and 
‘taste tests in color’. though his body of work features several pieces very classical in composition, drawing their forms from landscape photography 
of the american west, brandt’s unique artistic approach includes the incorporation of physical elements of the subject of the artwork itself or varied 
alternative media in each finished piece. the artist has developed a hybrid printmaking technique which combines both a revival of antiquated production 
methods but also an approach to post-production manipulation that is entirely of his own devising. 

(via poteau)

farewell-kingdom:

 Idea Lab Installation by bluarch architecture